Monteverdi 1610 Vespers
A towering masterpiece of the early Baroque, at once intimate and grand, prayerful and dramatic, exalted and sensual, Monteverdi’s 1610 Vespers of the Blessed Virgin presents a dazzling array of textures and sonorities in brilliant instrumental writing, opulent choruses and moving solo arias and duets. The work is both unique and iconic, despite the fact that its performance history is relatively short. The first full public presentations of the work were in the 1930s, and recordings didn’t appear until the 1950s, making the Vespers an essentially modern presence.
The work is a calculated summation of the composer’s skill as a writer of sacred music at a time when he was primarily known as a madrigalist, albeit one wanting to escape the frustrations of Duke Vincenzo Gonzaga’s court in Mantua. In the event, the publication of the Vespers almost certainly helped him secure the prestigious post of maestro di cappella at St Mark’s in Venice, which he would keep until his death in 1643.
In this performance, Collegium Musicum of London Chamber Choir – under the inspired and agile direction of Greg Morris – joins forces with a glittering ensemble of soloists and instrumentalistsfor what promises to be a memorable evening’s music-making, in one of the capital’s most elegant and charismatic arts and crafts-inspired venues
Saturday March 7, 7.30 pm
Holy Trinity Church
146 Sloane Sreet
London SW1X 9BZ
